“THAT ONLY HIMSELF AND NOTHING ELSE RESEMBLES” VICINO ORSINI AND THE SACRED WOOD OF BOMARZO
In the context of late Renaissance gardens of the mid-sixteenth century, the Sacred Wood of Bomarzo occupies a position that is both eccentric and exemplary. The apparent contradiction is nourished by its being a unicum that moves the limit of artifice much further than its contemporaries dared to do (and does so, paradoxically, renouncing the […]
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